I tried to focus on images and processes that persist for me over time, treating them almost as if they were clues. They are combined and arranged not necessarily to give them a story or to bring them to light, but to let them appear in the darker peripheries more natural to them. Not unlike a naturalist trying to make observations in an undisturbed setting, but in this case, understanding the setting to consist in disturbance, in being affected.
These are my notes. While the usual methodology requires that they be edited, arranged, and selectively emphasized or discarded – brought into clarity through artifice and craft, these notes, being fragile, wouldn’t survive that kind of translation.